Designing for Students with Special Needs
By Deborah Kubecka, Creative Director
There is a world of design that exists for special needs students that is not taught in university but is rather learned by the designer in the hands-on world of special needs education and publishing. Because there are so many different kinds of students with special needs, we don’t have a “one design fits all” system. Although designing for our students requires simple and straightforward aesthetics, the thought behind the design is not simple. We tailor our design process to consider the age, grade level, and intellectual level of the student for each product, the goal being to produce on-level, clean design.
“Simple” can be hard to achieve. Designers edit themselves much in the same way an author does. We ask ourselves “At what point does the interesting/pretty/colorful graphic just get in the way? Is it necessary? Does it provide clarification for the student? Does it support the copy/worksheet or does it compete with it? Especially when designing for students with intellectual disabilities, “Simple” cannot be abstract – the graphics must be recognizable, the copy must be legible.
It is important to see the product through the eyes of the student and we learn to design for this special population from our teachers and from the students themselves. Generally, for design purposes, we break our audience into two groups—those students who have learning disabilities, (i.e., the student who may be in 7th grade but who is reading on a 3rd grade level) and those students with varying degrees of Intellectual disabilities. Because disabilities span all ages, our products have to address the disability as well as the age of the target population.
Three of my favorite sayings follow:
A picture is worth a thousand words
• Visual support for the copy/text helps the reader to identify a word or provides a clue as to the meaning of that word or paragraph.
• The imagery needs to be recognizable—not too abstract or stylized.
• Color-coding can play a large role when trying to clarify a pattern or concept.
What you don’t say can be as important as what you do say
The use of negative space is one of our most valuable tools. It provides a “breather” for the student, makes the page less intimidating, and asks the student to focus on the important elements of a page.
Some of the ways we accomplish this are:
• Wider side margins (shorter column widths)
• An uncluttered page—no unnecessary objects on the page.
• Every element should have a purpose.
Bigger is Better (sometimes)
Fonts
• Because fonts vary in legibility, we have no hard and fast rules dictating a certain font or size, except that they be, without doubt, legible.
• We stay away from display fonts for body copy and are carefully selective in our use of them for titles and headlines.
• Age appropriate —typically larger font sizes are used more for Elementary products than for Secondary and Adult products.
• Math products and many worksheets can vary widely in font size.
Leading
• Generally we allow more leading, but not so much that the lines of type become disjointed causing the student to lose his or her train of thought.
• Leading should be comfortable, flowing.
We try to use all of these techniques in a subtle way so as to not emphasize the differences of our special needs students from the general ed population. We hope that our designs will be clean, interesting, fresh, appropriate, and above all, help the student in his learning process.

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A Conference on helping individuals with special needs: Fostering Dialogue between diverse disciplines in Multi Sensory Environments (MSE)
Distinguished speakers will include David Dobbs, author of “the Orchid Hypothesis”, Jill Boyle Taylor, Ph.D., author of “A Stroke of Insight”; Ad Verheul, co-founder of the snoezelen concept and author of “Snoezelen Homemade”, Gillian Hotz, Ph.D., Miami Jackson Pediatric Brain Trauma Center and researcher of MSE and pediatric traumatic brain injury; Christopher Giza, M.D., University of UCLA and senior research around neurology, brain plasticity, and MSE; Jason Staal, Ph.D., a director of Beth Israel Medical Center’s Snoezelen Behavior Therapy Research program, professor of psychiatry at Albert Einstein College of Medicine, and a major research of multi sensory behavior therapy; Paul Pagliano, author of “Multisensory Environments”, “Using a Multisensory Environment” and Professor at James Cook University (Australia); Krista Mertens, Ph.D., a distinguished International professor in MSE and rehabilitation; Lesley Collier, Ph.D., an expert in using MSE with people with severe Dementia; Kim Ward, Ph.D. and expert in MSE and Autism; Linda Messbauer, a pioneer in MSE and professional MSE trainer; and many more exciting speakers. View the complete list of presenters and the full program at http://www.isna2010.org
For more information on the conference: http://www.isna2010.org
For more information on the Hidden Angel Foundation: http://www.cdhaf.org